Twin Peaks: “Twin Peaks Theme” Angelo Badalamenti 1990Īngelo Badalamenti won an Emmy award for this lush instrumental composed especially for David Lynch’s classic. Twilight Zone: “Twilight Zone Theme” Bernard Hermann 1959Ī theme so creepy that just humming it has become the universal sign for, “What the heck is going on here?” Bernard Herrmann, the master of suspense who wrote the sound track for Alfred Hitchock’s Psycho, is responsible for this edgy little ditty as well. Undoubtedly, Oliver Nelson’s score is a cut above.Įxtended jam version. Not only was this song the show’s unique calling card, it introduced glamour and excitement into the living rooms of millions of viewers. The theme to The Six Million Dollar Man is a seriously original and energetic jazzy number forcefully executed by the Johnny Gregory Orchestra. In this instance, the song doesn’t match the show, it surpasses it. How could you not watch this show? The Six Million Dollar Man: “The Six Million Dollar Man” Oliver Nelson 1974 Great horns that really evoke a swinging ’60s sound with a driving rhythm. This was a hugely popular song in its own right in the 60s and no wonder. Peter Gunn: “Peter Gunn” Henry Mancini 1959 Perhaps that’s why the same song, in a variety of arrangements, has been used for the past 5 decades. Who being the cult classic it is without its opening theme. In spite of brilliant writing by the likes of Douglas Adams, Mark Gatiss, and Steven Moffat and a constant stream of wonderful actors playing the roles of the Doctor and his companions – yes, in spite of all this – it’s difficult to imagine Dr. It’s no wonder that the BBC Radiophonic Workshop is credited as one of the most influential pioneers of electronic music. Got all that? Then that makes one of us, though I have gained a healthy respect for the work and ingenuity that went into this theme. The rhythmic hissing sounds, “bubbles” and “clouds”, were created by cutting tape recordings of filtered white noise.” The non-swooping parts of the melody were created by playing a keyboard attached to the oscillator banks. The swooping melody and lower bassline layer were created by manually adjusting the pitch of oscillator banks to a carefully timed pattern. The main, pulsing bassline rhythm was created from a recording of a single plucked string, played over and over again in different patterns created by splicing copies of the sound, with different pitches and notes achieved by playing the sample in different speeds. So, how was it done? As per Wikipedia: “Each note was individually created by cutting, splicing, speeding up and slowing down segments of analogue tape containing recordings of a single plucked string, white noise, and the simple harmonic waveforms of test-tone oscillators which were used for calibrating equipment and rooms, not creating music. Who theme, created in the BBC Radiophonic Workshop, was one of the very first electronic songs made for television, and this was before synthesizers were available. It’s a spooky, yet beautiful song that has a mesmerizing effect, especially when combined with the light swirls in the opening sequence. The bass line drives us in as the eerie melody sends us far beyond our hum drum lives. Who Theme” Ron Grainer and Delia Derbyshire 1963 It seemed a better way to gauge the power of music to complement and enhance a story based on the aspects of sound, apart from any psychological effects brought on by lyrics. This article deals exclusively with instrumentals. It enters the consciousness of the viewer where it remains long after plot lines and characters have been forgotten. By allowing a composer to give expression to what he or she feels the show is about, music is created that becomes the very heart and soul of a series. This can be wonderfully catchy like That 70’s Show’s use of the Big Star’s “In the Street.” There’s really nothing wrong with this and it can be a great way to introduce older classics to a new generation, but hats off to those shows who use original compositions for their intros. Often, a show’s theme is merely an updated version of an older or less well known song. This article examines original musical compositions for television. Over the course of our lives, most of us have been exposed to quite a bit of this music, so it’s worth taking a closer look at it.
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Like a siren call, some TV shows have a way of beckoning us over to the living room television with an especially clever or beautiful opening theme.
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